Large Black Stoneware New Moon Jar
The Moon and its phases influence all nature, its growing cycles , tides and the ebb and flow of life.
This is a stoneware Moon, thrown traditionally in two halves, and represents the New Moon. It has a raw clay exterior and is lined with a transparent glaze so that it is functional .
It is my homage to the lovely form, originated by Korean artisans in the 13th to the 18th Century and is so called because of it’s luna fullness.
I aimed at the easy flow in their technique which embraces naturally occurring imperfections..
It’s the simplest and most striking vase form, for any flower arrangement but the scale of it makes it a focal point in any room, even without flowers.
24cm width x 25cm height
This vessel is hand thrown, turned, glazed and fired to 1240 degrees in oxidation and is one of a kind
The Moon and its phases influence all nature, its growing cycles , tides and the ebb and flow of life.
This is a stoneware Moon, thrown traditionally in two halves, and represents the New Moon. It has a raw clay exterior and is lined with a transparent glaze so that it is functional .
It is my homage to the lovely form, originated by Korean artisans in the 13th to the 18th Century and is so called because of it’s luna fullness.
I aimed at the easy flow in their technique which embraces naturally occurring imperfections..
It’s the simplest and most striking vase form, for any flower arrangement but the scale of it makes it a focal point in any room, even without flowers.
24cm width x 25cm height
This vessel is hand thrown, turned, glazed and fired to 1240 degrees in oxidation and is one of a kind
The Moon and its phases influence all nature, its growing cycles , tides and the ebb and flow of life.
This is a stoneware Moon, thrown traditionally in two halves, and represents the New Moon. It has a raw clay exterior and is lined with a transparent glaze so that it is functional .
It is my homage to the lovely form, originated by Korean artisans in the 13th to the 18th Century and is so called because of it’s luna fullness.
I aimed at the easy flow in their technique which embraces naturally occurring imperfections..
It’s the simplest and most striking vase form, for any flower arrangement but the scale of it makes it a focal point in any room, even without flowers.
24cm width x 25cm height
This vessel is hand thrown, turned, glazed and fired to 1240 degrees in oxidation and is one of a kind